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Disinformation at NTT ICC Tokyo

Disinformation DJing for the opening night of the "Phase of Post Music" concert series at NTT ICC, Opera City Tower, Nishishinjuku, Tokyo, 17 February 2000. Special thanks to Minoru Hatanaka. The tracks heard in this mix are "London's Overthrow" by Evan Parker and Disinformation (from the "Al Jabr" CD), "R&D Track 3" (LORAN-C radionavigation signals), a VLF radio recording of electromagnetic noise induced by a Dataproducts laserprinter, accompanied live by square waves from 2 laboratory tone generators found in a skip (dumpster) outside London's South Bank University.As befits an art gallery sponsored by the Japanese telephone company, the PA for this event was of incredible power and quality (the sub-bass alone was quadraphonic surround sound). The PA signal was recorded direct to video, so the sound here is clean, but barely conveys the true nature of the perceived experience, ie - Brian Duguid wrote in EST magazine that some of the sounds recorded by Disinformation "make you wonder why Merzbow even bother". The video was filmed over the heads of the (seated) audience. According to Minoru, the vibrations rattled glass cabinets all over the museum and brought down ceiling panels in the auditorium. The brand of lager was (I think) Kirin. After the NTT ICC show Philip Jeck, Joe Banks, Mike Harding and saxophonist Rees Archibald performed at The Metro, Kyoto, at the invitation of composer Koji Marutani (of Digital Narcis Records). A very similar performance to the Disinformation vs Evan Parker track was performed at The Dom Moscow (28 Sept 2000) with Mike Walter and Andy Knight on saxophones, and with YBA artist Gavin Turk and Pete Doherty (of The Libertines and The Babyshambles) in the audience.The NTT ICC events also featured work by Ryoji Ikeda, Marc Behrens, Christoph Charles, Jane Dowe, Max Eastley, Peter Hagdahl, CM von Hausswolff, Phillip Jeck, Brandon LaBelle, Pol Mahlow, Mesmer, Ikue Mori, Carsten Nicolai, Atsushi Sasaki, Minoru Sato, Jio Shimizu, Terre Thaemlitz, David Toop, Toshiya Tsunoda, Satoru Wono and the WrK label.Some time after this event, Disinformation also contributed to a (separate) CD project called "C4i". In 2007 lawyers acting for fellow "Phase of Post Music" contributor Ryoji Ikeda threatened to sue Disinformation for "defamation" for the crime of pointing out (to an employee of London's Barbican Centre) a rather obvious conceptual similarity between the original "C4i" project and Ryoji's later project "C4i" (commissioned by Yamaguchi Center for Arts and Media - YCAM, in Japan, with its touring funded by the Japan Foundation). The record company that released the original "C4i" CD - Staalplaat, is the same company that released Ryoji's "Time and Space" and "Mort Aux Vaches" CDs, Ryoji's lawyer argued that the 2 "C4i" projects could not be related however, because Ryoji's title was an acronym for the term "Command, Control, Communications, Computing and Intelligence" - a term which happens to be a direct quote from the front cover of the original "C4i" CD ! http://www.spiderbytes.com/amb... http://www.residentadvisor.net... http://www.staalplaat.com/sear... compare http://www.ne.jp/asahi/saiga/y... + http://www.drawnbyreality.info... http://www.ntticc.or.jp/Archiv... http://www.ntticc.or.jp/Archiv...

Channel: Music
Uploaded: January 4, 2007 at 11:21 am
Author: JHLKJHLKHLK

Length: 02:59
Rating: 4.05
Views: 7280

Tags: Aeriology  C4i  Disinfo  Disinformation  electromagnetic  Evan  experimental  ICC  Ikeda  Merzbow  noise  NTT  Parker  Ryoji  VLF  

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